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Wednesday
Aug122009

Review of Harry's Grand Slam Baseball Game

 

 

 

 

 

Harry's Grand Slam Baseball

Designed by Harry Obst

Published by Out of the Box Publishing

MSRP: $9.99

  

 

The Spin: “Each Player manages a team and plays cards that simulate actual baseball plays”—from back of game box.





The Story: Harry’s Grand Slam Baseball Game “recreates” a nine-inning (or more) baseball game with cards that have effects based on happenings from real baseball games. The offensive and defensive events are in the same deck, which is shared by both players.




The Play: Harry’s is an exceedingly simple game. Players have hands of three cards that they draw from the same deck. The deck has a set of offensive plays (single, double, triple, home run, walk, hit by pitch, error, wild pitch, passed ball, stolen base, and balk) and a set of defensive plays (Ground Out, Strike Out, Fly Out, and Double Play). It also has some cards that can be used to a benefit on offense or defense (Sacrifice Bunt, Pitch Hitter/Relief Pitcher).

The two players choose which one is the home team and the visitor starts on offense. On a player’s turn, he or she simply plays a card from a hand of three, moves the runner and/or records outs, and then the other player goes. The cards themselves act as the base runners and are positioned around the bases of the small die-cut infield that comes with the game. After three outs have been recorded, the team’s half of the inning is over and the two teams switch sides. If a team is in the lead at the end of regulation the game is over. If not, the teams go to extra innings.

The interesting element of game play is that other than at the end of every third innings, players do not reshuffle their hands. So, tension is created by the fact that the awesome defensive hand that you have will any moment become a terrible offensive hand. Also, since players must play a card each turn, one is often forced to play a card that benefits the opponent. I’m not sure which is worse—having to play a hit on your opponent’s half of the inning that drives in a run or having to play an out on your offensive set with the bases occupied.


My Take: There isn’t an overwhelming amount of strategy. This isn’t a simulation by sport’s game standards certainly. It is a light card game that is themed around baseball. The theme is rock solid though. The game mostly follows baseball rules and any player without basic knowledge of baseball will be lost. That said, this isn’t APBA or Strat-o-Matic. It is to those games what Crazy Eights is to Contract Bridge.

I found this game to be a wonderful, light filler. As a baseball fanatic, having a quick-playing baseball-themed game really scratches a particular itch. Since there is hardly ever a tough choice, the real fun is watching how the game plays out.

The Components: Harry’s Grand Slam Baseball Game is part of Out of the Box’s Heirloom Game series. As such, the components are amazing. The game comes in a small tin box slightly larger than double deck of cards. Inside is an exact replica of the original Harry’s from 1962—box, cards and ruleset. In addition to the original rules, the game contains larger, better organized rules that aren’t as detailed but cover most of the situations players may encounter. There is also the aforementioned infield used to mark outs and base runner positions and, most impressive, a great tri-fold scoreboard with working dials used to track both score and inning. The entire package is attractive and the quality adds to the playing experience.


Score: 3.5/5



Pros: Fast Playing, well integrated theme, great production value

Cons: very light on strategy, limited number of choices

 

 




Wednesday
Aug122009

The Madden Curse

 

So you have the 7th overall pick in your league's fantasy draft, and after a quick run on RB's for the first six rounds you are left without any sexy options at that position. It is way to early to draft a QB, so you go straight to the top of the WR list. Well, Larry Fitzgerald seems like a pretty nice option. He had 1431 yards receiving and a blistering 14 tds last season. The Cardinals re-signed Boldin and kept veteran QB Kurt Warner despite some flirtations with retiring. Fitzgerald is a no brainer, right? Think again. The infamous Madden Curse has found its way over to Fitz and if I'm in the position to get this guy or Andre Johnson, I'm going with Andre, because history does NOT favor this monstrous receiver.

2000- Barry Sanders adorns the cover - RESULT - Retired 7 days before training camp, leaving the Lions cupboard empty.

2001- Eddie George - RESULT - For the first time ever, Eddie George didn't rush for over 1000 yards and the Titans, one year removed from a Super Bowl birth, didn't even make the payoffs.

2002- Dante Culpepper - RESULT - Threw more interceptions than touchdowns.

2003- Marshall Faulk - RESULT - The worst statistical year of his career to this point, was never the same again after this.

2004- Michael Vick - RESULT - Broke leg early in the season, missed most of the year. Went on to explore other career opportunities in underground dog fighting.

2006- Donovan Mcnabb - RESULT - This is the first guy that has had a real career AFTER gracing the cover of the game. He still plays and will be a good QB even this year, but in 05 he had a hernia and played badly and in pain all year, where the Eagles finished a dismal 5-11.

2007- Shaun Alexander - RESULT - Broken foot led to Shaun missing most of the season. FTR, three years later, no longer in the league at the age of 31!

2008 - Vince Young - RESULT - For his career, 22 TDS and 32 INTs in a whopping 29 starts.

Ray Lewis is the only defensive player to be on the cover of the game and is also the only player so far to avoid the "Madden Curse". Brett Favre kinda avoided it by retiring and coming back to play for the Jets, with an ok season, but really wasn't anything to write home about. I am curious to see how this all turns out for the Cardinals, but I do know this: I'm happy I have the third pick of my draft where I can safely avoid John Madden's latest victim and not look silly and superstitious doing so.

Tuesday
Aug112009

Next Exit: Deathlands

 I love truck stops.

Not the get-your-food-and-gas kind of truck stop. They’re convenience stores, no matter how big they are. No, I mean the honest-to-goodness-get-your-food-gas-shower-and-any-kind-of-electronic-device-you-can-think-of-kind-of-place. I’m talking about the kind where you can have a sit-down meal, the kind where you can buy all kinds of Harley Davidson and Native American paraphernalia.

That’s a real truck stop.

Before we go any further, you must know I’m not, nor have I ever been, a trucker. I’m not an extensive traveler. I’m not some kind of truck stop deviant lurker either. I am a science fiction fan.

Honestly, I love truck stops primarily for their books, music, and movies. Truckers love good 60’s and 70’s classic rock. They seem to enjoy classic war and western movies, the kind Clint Eastwood used to star in. And they love good books. We’re talking action/adventure stories, classic westerns, and a decent smidgen of science fiction and fantasy. And they like James Axler’s Deathlands.

Deathlands was born of the post apocalyptic craze back in the 80’s. Axler became the house name for the series after the original writer, Laurence James, died. The story follows Ryan Cawdor and his motley company as they make their way across the ruins of America 100 years after a massive nuclear exchange. There’s lots of action, lots of mutants, and endless possibilities. (Though, I must confess, in the hands of some of the lesser writers, the tales can be a bit redundant and boring.) Being the post apocalyptic junkie I am, the books have always appealed to me. How could you not love those covers – especially the ones by Mark Herring?

However, I must confess I never got around to reading them.  Why? Well, the older ones are hard to find, unless you’re willing to pay a collector’s price for them. (Which, I am sad to say, I am currently doing.) And for another, the series is up into the eighties right now. That’s a lot of reading. How do you catch up?

The answer came to me at a truck stop: Graphic Audio CDs.

The first time I saw them, I thought they were simply another set of audio books. (Truck stops have lots of those, too.) I have tried several times to listen to audio books but just couldn’t do it. It always seemed too passive for my imagination. I put it off and put it off, until I finally read the back of one. Their slogan hooked me: “a movie in your mind.” According to the case, the cds had a full cast, sound effects, and a score. Definitely didn’t sound like an audio book, so I thought I would give it a try.

My initial reaction cannot be put into words really. It was one of those intensely personal reactions, something that clicks deep-down inside you. I can’t even begin to think about putting it into words, so let me just say “Wow.” Had I not been wearing my sandals at the time, it would have knocked my socks off. It was all true: the full cast, the sound effects, the score. And the stories were pretty awesome, too.

The actors are the key, however; Richard Rohan in particular, who narrates and portrays Ryan Cawdor. They provide a depth and insight to the characters that you just wouldn’t get from a standard audio book. The effects are awesome and rev up the action so that it feels like you’re there in the thick of it with bullets whizzing by your head and smacking disgustedly into those near you.

Again, I’m no trucker, but I’ve become quite addicted to them. I don’t have long stretches of listening time, but I will go through a chapter or two running errands to Wal-Mart or the grocery store. I even find myself volunteering to go get a gallon of milk late at night. I’ve even listened on the exercise bike.

Now, Deathlands will not be for everyone. They are rated M for mature audiences, and believe me, they deserve it. Lots of violence and harsh language and, in the earlier ones, sexual content. If they were films, they’d be a strong R at least.

(By the way, I’ve discovered that you don’t have to listen to the stories in order for the most part. However, I would recommend listening to the first ten or so just to get the full back stories on the main cast of characters.)

Graphic Audio produces a host of other titles if Deathlands is not to your liking. There’s Axler’s Outlanders, westerns, and series by R.A. Salvatore, Elizabeth Moon, and Simon Green. There’s even comics. They’ve adapted DC’s epic 52 and some Batman, Wonder Woman, and Superman stories. They’re even doing Pendleton’s classic Executioner series.

Unfortunately, not all of us live near truck stops. I don’t. The closest one to me is over a hundred miles away. You can go to Graphic Audio’s website and order them. They have CD and MP3 versions. You can also download them to you computer. There are stores on the internet, some even sale used copies. I get mine off of a store on ebay (user id causinhavokinwv). At truck stops they run about $16.99, which is not bad for a seven hour production. Every story is unabridged. If you order, of course, you’re going to have to pay shipping. Downloading is the cheapest way to go.

Still, there’s nothing like traveling down the road and seeing that gianormous billboard telling you there’s a truck stop ahead. It can be your next exit to adventure.

 

 

 

 

Friday
Aug072009

John Hughes 1950-2009

John Hughes, the poet laureate of teen angst, died today.  He had not directed a film in twelve years, nor one with any real impact in nearly twenty years.  Still, his passing saddens me more than other recent celebrity deaths.  I can easily forgive Hughes for the Home Alone films and dismal John Candy vehicles because he gave my generation some remarkable touchstones.  Starting with Sixteen Candles, Hughes made a string of films that captured the mindset of Gen X better than any other films of the time.  The films were so good, so popular, that they almost seemed to be reflecting the culture and creating it at the same time.  Alas, I'm not much of a star-****er, so instead of droning on about how Hughes enriched my soul or some nonsense, I'll just comment on the Hughes films everyone should watch in his memory.

 

Sixteen Candles--Molly Ringwald was so damned adorable as Sam Baker that it was nearly impossible not to feel for her as the events of the film unfolded.  The film hits very predictable buttons as the cool, smart girl is pushed to the background because attention is focused on her pretty, popular sister.  Still, every note is nearly perfect, and the image of Sam and Jake kissing over her lit birthday cake is one of the 80s most iconic.

 

The Breakfast Club--watch this one for the wonderful perfomances by the entire cast (some perhaps a bit broad, but still endearing) and for some of the best integration of pop music in cinema history.  Also, nothing says more about the way the masculine image was beginning to change than Bender removing his earing and giving it to Claire.  

 

Ferris Bueller's Day Off--okay, tough call here.  Ferris Bueler's Day Off is not nearly as good or as impactful as the first two films.  In fact, in my experience, viewers without nostalgia for the film or at least the period don't enjoy the it very much.  It has certainly dated worse than the two films above.  Ferris is far less likeable than we thought he was back then.  He's basically a smart ass who thinks he has all the answers and nearly ruins his best friend's life.  Still, in a lot of ways, he was the kid all of us wanted to be.  He was smooth, rebellious, and dating Mia Sara.  Most of all, the film should be watched for brilliant comedic performances from the supporting cast and the lovingly crafted tour of one of America's great cities.

 

So there it is, my little John Hughes Film festival.  If instead you end up watching Home Alone, Career Opportunities and Uncle Buck, don't blame me.

 

Monday
Aug032009

Fantastic Voyage: Terry Bisson’s Voyage to the Red Planet

Terry Bisson’s Planet of Mystery (PS Publishing 2008) transports readers to Venus, not the lifeless planet we know, but one filled with strangeness and, well, mystery. The novella harkens back to the days of pulp planetary romances, but it’s not the first time Bisson has left mother earth, and hopefully no the last. Anyone who has read Planet of Mystery, or who is just discovering this wonderful and insightful author, may want to check out his novel about the red planet.

In Voyage to the Red Planet (Avon, 1991), Terry Bisson rediscovers the Mars of Edgar Rice Burroughs and Ray Bradbury. He describes the red planet as an ancient, dying world filled with beauty, awe, and mystery, a place where man can uncover the truth about himself and his place in the cosmos. There’s only one problem: grand revelations aren’t very profitable.

The novel is set in the near future when America is finally recovering from the Grand Depression thanks to giant corporations that have bought all of the national parks and government agencies.

Just prior to all the financial woes, NASA scrapped the first manned mission to Mars. Twenty years later, the mission is given the green light – by Hollywood. A roguish producer wants to make the first film on Mars, not about Mars, but set on Mars. To that end, he “acquires” a moth-balled ship, the Mary Poppins, and hires the two original pilots who trained under the joint NASA-Soviet venture, a top cinematographer, and some “pure-bred” actors.

While the Hollywood crew tackles the important task of filming, Bass (the pilot) and Jeffries (the doctor who developed a serum for bear-like hibernation that can have some interesting side effects) stumble across ancient ruins and evidence that their arrival has been anticipated. Both men are stunned by their discovery and must decide what’s to be done with it. They know that if they tell anyone in America, the discovery will be exploited for every cent it can possibly generate. On the other hand, to keep it to themselves means years of waiting with little hope, if any, that the discovery will be used to further man’s knowledge.

Bisson’s novel is remarkable on many levels. The characters are real and motivated by real concerns. Man is shown at his best (moved by compassion) and his worst (compelled by greed), and the story is an exciting, adventurous romp that pays tribute to the glorious pulp fantasies of the past. At the same time, it is a biting satire about commercialism in America, and while the novel is filled with many humorous scenes, the laughter is often cut short. In this land where theme parks and sports arenas have become nothing more than gigantic billboards, Voyage to the Red Planet doesn’t seem too fantastic.